However, he does it well, so my own bias here will likely be irrelevant to some readers. He takes a different approach to his style here, which I don't personally enjoy. "Green Lights" can be a polarizing track. The bizarre digitization of her irrelevant, silly lyrics (" Hot days, cold nights / staring down at an empty cup like, / I'ma fill, I'ma fill it up / the good life doesn't seem so bad / the good life doesn't seem so sad") detract from the piece in an unprecedented manner, creating one of the album's most obnoxious tracks, which is quite an accomplishment.
NF's verses and flows are on-point here, but the song also guest features Ruelle. "10 Feet Down" is perhaps one of Perception's most disappointing offerings. The amount of boasting and the insults directed at other artists is far from classy, but this trend is really just priming listeners for the latter half of the album. "Outcast" is pretty standard-fare for NF, but it serves to do little more than set a moderately low bar for the rest of the album. Unfortunately, it doesn't quite come together and ends up being little more than laughable. Throwing a reference to Mansion's title track, he drops the line " Hey, I'm NF / 'Is it me or the fear talkin'?' / Ha! What a dumb question!" It's clear that what NF is trying to do here is actually quite clever the singular moment when this reality shines through is during the "grave-digging" sequence. It could also be compared with Twenty One Pilots' Blurryface album, which, ironically, he seems to diss later on the album during the track "Know" (" I'm a little bit TØP Stressed Out / what does that mean? / I'm a rap fiend with a bad lead"). For an artist so often compared to Eminem, this split-personality approach does him few favors. NF kicks off his third LP with-you guessed it-"Intro III." He takes less of a power-house approach here than he did with the two previous intros, choosing instead to stage an odd, psychotic conversation between himself and his fear. Needless to say, concern was raised when this latest LP, Perception, released only a year later. The many qualities found on Therapy Session were shadowed by these faults, all of which could have been avoided had the album spent an adequate amount of time in development. In my review of last year's Therapy Session, my central critique revolved around the sophomore album's underdevelopment and coadjuvant bloat. His Christian faith, however, often shined through, providing listeners with a strong sense of hope in place of despair or apathy. Having dealt with childhood abuse and the death of his mother, these realities weren't always resolved. He would rap about real life, real struggles, and real darkness. Although their styles shared more than a few similarities, it was what differentiated them that delivered such potency to NF. From the very beginning, NF drew excessive amounts of comparison to his Detroit counterpart, much of which was over-exaggerated. Up until this point, there had been few quality rappers within the Christian music industry sporting the aggressive, contentious style made popular over the last two decades by mainstream rappers such as Eminem. When Michigan rapper Nate Feuerstein (stage name NF) first dropped his debut LP, Mansion, just two years ago, he struck a resonating chord with critics and listeners alike.
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